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At the next bargaining session, just some 40 hours later, the outgoing and highly-respected chairman of the Association joined the negotiations, concessions were made on both sides, and a three-year contract was resolved. Secondly, Maestro Muti never "declared himself 'very, very disappointed' at the" strike, nor does the wire story that Ms. Mac Donald links to say that he did. Maestro Muti in fact made no public declarations or even comments on the dispute at all. Rather, *management* stated that Muti was unhappy, and this is what the AP story reports. For their part, the musicians, according to the Chicago Tribune, a newspaper hardly noted for its wild support of labor, quoted CSO bassist and players' committee leader Stephen Lester at the launch of the strike as follows, “'I have been in contact with the maestro on several occasions,' Lester said, *noting that he can’t speak for Muti.* 'We had good conversations, amiable conversations. He understands our situation.'” [emphasis added] There was never, even for a moment, tension or any issue between the musicians and their music director. (The article also has one small error of identification: the excellent young singers who performed as well are from the historic Chicago Children's Choir, not "Chorus.") As to the larger issue, Ms. Mac Donald proposes that the "musicians . . . take their noses out of their union contracts long enough to consider the future of their profession." I don't know of a group of professionals with a keener understanding of the very real difficulties that symphony orchestras face across the country than the musicians of the Chicago Symphony Orchestra. The difficulties and even crises of a number of ensembles in other cities and parts of the country, however, are not replicated in Chicago where the CSO Association has strong finances, a healthy endowment, and tremendous success in both ticket sales and fundraising. 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